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CV


: SELECTED SOLO AND DUO EXHIBITIONS
2016 Dear Shareholder, The RYDER Projects, curated by Bar Yerushalmi, London
2016 MoCA Shanghai, curated by Weiwei Wang
2016 Kristin Hjellegjerde (duo show with Jeremy Everett)
2015 Flashcrash Unlimited, Widget Art Gallery, cur. Chiara Passa, on-line
2013 Scientific Skin, curated by Thomas Geisler and Sabine Seymour, Museum für angewandte Kunst, Vienna
2013 Over Hear - The Sensory Archive, Inis Oirr Art Centre

: SELECTED GROUP EXHIBITIONS
2018 V&A Museum London, cur. Irini Papadimitriou (September)
2018 Hooked, Science Gallery London, cur. Hannah Redler (September)
2018 MMCA National Museum of Modern and Contemporary Art Seoul, International Artist in Residence Program (June)
2018 Duty Free, Chelsea College of Arts, cur. Bob Bicknell-Knight (June)
2018 Aesthetica Art Prize, York Art Gallery
2017 Resonances, National Museum of Science and Technologies, cur. Joint Research Team, Milan, Italy
2017 Odessa Biennale, cur. Camilla Boemio, Ukraine
2017 Holon Design Museum, cur. Elisabetta Pisu, Anat Safran, Lila Chitayat, Yael Taragan, Israel
2017 Galerie Für Gegenwartskunst, cur. Heidi Brunnschweiler, Freiburg
2017 Pocket Privacy, V&A Friday Late, London
2017 Matter Matters, The Flat, cur. Claudia Contu, Milan, Italy
2016 Triennial of Fiber Art, cur. Liu Xiao, Xu Jia, Assadour Markarov, Hangzhou, China
2016 Platform, London
2015 Production Methods at the Watermans Gallery, cur. Ozden Sahin. London
2015 Sonic Patterns, Kaunas Biennale, cur Karen Gaskill and Janis Jefferies, Kaunas, Lithuania
2015 Pi Artworks, cur. Ashley Conery, London
2015 Sonic Invasions, cur. Lanfranco Aceti, Tae Hong Park, NYU, New York
2015 The Florence Trust Summer Show, cur. Paul Bailey, Neil jefferies and Kate Neave, The Florence Trust, London
2015 Webscience, University of Oxford
2015 Executed, cur. Ozden Sahin, with Haydn Jones and Jonathan Munro, Museum of Contemporary Cuts
2015 Winter Open, The Florence Trust, London
2015 Executive Chair, cur. Ozden Sahin, with Haydn Jones and Jonathan Munro, Guest Projects, Shonibare Studio, London
2014 Digital Weekend, cur. Irini Papadimitriou, V&A, London
2014 Networked Bodies, cur. Irini Papadimitriou, Watermans Arts Centre, London
2013 Nowhere 13, Saint James Church, Goldsmiths, London
2013 International New Media Art Exhibition, OCT Contemporary Art Terminal, Shenzhen
2013 Goldsmiths Computational Studio Arts, Watermans Gallery, London
2012 The Open Data Institute collection, London
2012 MoMA PS1 Summer School with Marina Abramović, with Rebecca Davies and Linsey Peisinger, New York
2012 Silent Monologue, cur. Miseongoa Shin, The Crypt of Saint Pancras, London
2012 Nowhere 12, Saint James Church, Goldsmiths, London
2012 Tomorrow people, The Elevator gallery, London
2012 The Face of the Shape, La Scatola Gallery, London

: RESIDENCIES
2018 MMCA, National Museum of Modern and Contemporary Art Seoul
2015 East London Printmakers, London
2015 Space CoLab, London
2015 The Guest Projects, London
2014 The Florence Trust, London

: ART FAIRS
2018 Art Rotterdam with The RYDER Projects
2017 Manchester Contemporary with The RYDER Projects
2016 The Internet Yami-Ichi, Offprint London, Tate Modern London

: TALKS + PRESENTATIONS
2018 E.A.T. Experiments in Art and Technology: Open Ended, MMCA Seoul, with Deoksun Park (MMCA) and Irini Papadimitriou (V&A)
2017 SpikeArts Studios, Bristol
2017 University of Leeds, with Eduardo Kac and Andrew Prescott, Faculty of Arts, Humanities and Cultures, Leeds.
2017 In-Conversation, with Melanie Lenz and Ashlee Conery, THE RYDER projects
2016 Talk at MoCA Shanghai.
2016 In conversation with Barry Barker at Kristin Hjellegjerde.
2015 East London Printmakers, Artist in residence talk.
2015 Heaven is a Place where Nothing Ever Happens, chaired by Ashlee Conery, with Rachel McRae, Reuben Henry
2015 Disordering Frameworks, The Standard Model Book Launch, with Ariane Koek, Isobel Whitelegg and Peter Mörtenböck, Goldsmiths University MFA Curating, London
2015 Intertwinedness, chaired by Stefan Lutschinger, with Marios Athanasiou + Phil Thompson, Arebyte Gallery, London
2015 Sounds, Images, Data, chaired by Lanfranco Aceti, New York University, New York
2015 Board Meeting. with Ozden Sahin, Haydn Jones and Jonathan Munro, chaired by Bill Balaskas, Guest Projects, London
2014 Post Digital. Symposium, chaired by Kare L Cham, London
2014 Apprehension. Global Society and Contemporary Art on the Twitter Generation, cur. Camilla Boemio, Bucharest Biennial
2014 Awful Things, in conversation with artist Haydn Jones, Chisenhale Studios, London
2014 Sichuan Fine Art Institute, cur. Cedar Zhou, Chongqing
2014 Art After the Internet, cur. Janis Jefferies, Centre for Creative Collaboration, London
2014 Restless Futures: Open Data as a Creative Material, Open Data Institute in collaboration with UAL, London
2014 Digital Futures Jan. 14, Sackler Centre, V&A, London
2013 Data as culture, Open Data Institute, London
2012 Digital Futures November, Sackler Centre, V&A, London
2012 Collaborative practice in Art, Elevator Gallery, London
2012 Digital Futures April, Sackler Centre, V&A, London

: SELECTED CATALOGUES
2017 MoCA Shanghai; National Museum of Science ad Technology Milan
2016 Hangzhou Triennial of Fiber Art at the Zhejiang Museum
2015 The Kaunas Biennial; The Florence Trust Summer Show
2013 Nowhere Summer Show 13 at Goldsmiths; The London Art Fair
2012 The Open Data Institute

: REVIEWS
2018 "Reassessing Value", Kate Simpson, Aesthetica Magazine, (on-line)
2018 “Fully Automated Networks”, Etienne Verbist, ArtDependence, (on-line)
2017 “Obsolescenza Riprogrammata”, Exibart, (on-line)
2017 “La turbolenza che striscia al suo exit poll”, Paolo Meneghetti, Kritika, (on-line)
2017 “Der Gesang der Aktienkurse”, Herbert M. Hurka, Badische Zeitung, June, Freiburg (article)
2017 “L’importanza della materia. Quattro artisti a Milano”, Giusi Affronti, Artribune (on-line)
2017 “Matter Matters. Una riflessione sulla forma e sulla materia”, Giulia Ronchi, ArtsLife (on-line)
2017 “Minimal in Milan: Matter Matters at The Flat - Massimo Carasi Gallery”, Eic David, March, Yatzer (on-line)
2017 “A Room of One's Own”, Aina Pomar, Art Dependence Magazine, December 2016, London (article)
2017 London Art Reviews, David Franchi, (on-line)
2017 Progetto Grafico, January, Milan (article)
2017 “Talking with Fabio Lattanzi Antinori' Fruit of the Forest, January, (on-line)
2016 “Five art shows to see this week: National Gallery, Serpentine and more’, December, RA Magazine (on-line)
2016 “Fortune Tellers” at MoCA Pavilion, Sue Wang, Cafa Art Info (on-line)
2016 “Future singing”, ZhongHan, Liberation Daily, July, Shanghai (article)
2016 “Space and Time”, Wuon-Gean Ho, September, Printmaking Today (article)
2016 “Immaterial Aesthetics – The Internet Yami-Ichi”, Edward Paginton, Modern Weekly China. (article)
2015 “Real Talk. The artist on representations of failure and the role of data in our society”, Silvia Badiali, ArtWire on-line. (article)
2015 “Flashcrash Unlimited at the Widget Art Gallery”, Nara Shin, Cool Hunting on-line. (article)
2014 “FAD Q+A with Fabio Lattanzi Antinori”, Chantelle May Purcell, FAD on-line. (interview)
2014 “Will electric ink and aromapoetry revive the physical book?”, Andrew Prescott, King's College. Facts and Opinion. (article on-line)
2013 “What did open data ever do for us?” Paul Maltby. Data.gov.uk. (article on-line)
2013 “When Big Data and Art Collide” Isaac Lopez. (article on-line)
2013 “Open Data' Brings Potential And Perils for Government”, Ben Rooney, Wall Street Journal on-line. (article on-line)
2013 “Making data tangible”, Julie Freeman presents the Data as Culture collection, TED Los Angeles. (video)

: ACKNOWLEDGEMENTS AND RECOGNITIONS
2017 Contours, supported by the Italian Cultural Institute in Tel Aviv and the Italian Embassy in Israel
2016 Artist Information Company, Travel Bursary for extraordinary and inspirational research
2016 UK China Connections Through Culture, British Council
2015 Production Methods, supported by the Arts Council England
2015 Artist International Development Fund, Arts Council and British Council England

: SELECTED COMMISSIONS
2017 The New Economy (interactive sculpture), commission of Joint Research Center, EU
2016 Elephant Road (Sculpture), commission of Get Living London
2015 Production Methods, (installation), commission of Watermans Arts Centre and Arts Council England
2013 Contours, (Installation) Museum für angewandte Kunst, Vienna

: PUBLIC COLLECTIONS
V&A, London
Villa Lagarina Civic Museum, Rovereto
Crespina Civic Museum, Pisa

: PRIVATE COLLECTIONS AND ARCHIVES
The Open Data Institute, London
Various private collections in Trento, Milan, London and Rome

: EDUCATION
2011-2013 Master of Fine Arts (with distinction) Goldsmiths, Computational Studio Arts, London
2012 MoMA PS1 Summer School with Marina Abramovic, New York
2007 Printmaking, Central Saint Martins, London
1994 MA Communication Art & Design, CCCA, Rome
1993 University of Architecture, La Sapienza, Rome